Food …..is the craft of eye that fills
the appetite of stomach. With its aroma it attracts millions of people from all
over the world to its enigmatic premise for a meal. It is indeed an arena of
creativity which though we can see it but unlike buildings cannot retain it.
Hospitality industry has been one of the most vital industries. Food earlier
was only meant to fill your appetite but crafting a creative perfection to
enhance its vision has also become a very important aspect these days. When we
talk about the plate’s appearance how can the ambience of the place be
neglected? More than the food, the restaurant has to speak about itself, with
its interiors and its specialty.
With all these criteria’s in mind, New
York based Restaurateur Rajesh Bhardwaj, Founder & Ceo, of Junoon, always
wanted to uplift the prima fascia of Indian food on a global platform. With
this emerged Junoon, a restaurant for exclusive Indian food, with ambiance that
entices the diners and makes them feel in India, even at NYC. Rajesh made an
effort to showcase Indian restaurant n cuisine as modern, eclectic n compatible
in international dining destination.
After finishing his management
training at ITDC, Rajesh completed his Masters in hospitality Management at Scuola
International di Scienze Turistiche Rome, Italy. On returning to India, he
joined the Taj Group at Delhi and after some years he left for NYC. After
spending sometime over there he realized that the food sector, worldwide,
lacked knowledge of Indian cuisines, even after the Richness of its spices and
authenticity, globally its existence did not have the kind of awareness as it
should. Somewhere in his subconscious mind this thought pertained to develop a
platform on a Global level to create the identity of Indian food in one of the
most authentic restaurants that would speak through its architecture the
essence of the Nation. With further inspiration from family and friends finally
in the year 2009, Rajesh decided to proceed with his dream project.
With the mission statement that “It
should be seen as a restaurant which serves Indian food and not an Indian
restaurant.”The parameters of this project began with search for a property
which he coincidently found on the main business hub in Manhattan’s, Chelsea
neighborhood. With lease of the place automatically he crafted the elements and
demarcated the zones in his mind. All he needed was an architect for execution.
Most architects he met had some patient and signature elements in their style
which unfortunately was not intersecting with the picture he had already
visualized in his mind. Finally through common friends he was introduced to
Tarik Currimbhoy. Tarik, is an US based Indian Architect, whose roots are
connected from the city of Mumbai. His 3 dimensional interests took him to the
Pratt Institute in the States where he completed his studies and established
his firm in 1983.
When
Rajesh explained what he had in mind, it hardly took Tarik to get at the nerve
of it. Very soon the design concept got ready and the execution of the work got
started. Tarik started by combining the Old World Indian artistry and modern
elegance, which was what exactly Rajesh had in his mind. This included the
undulated basket woven front façade in black limestone which adds a silky texture
and a tinge of regality to the front façade of the restaurant. Crafted with art
of delicacy, the 100 feet long silky black wall breaches its monotony with a
glazed surface that allows a glimpse of the lounge area within. The artistic
idea of the limestone, quarried from India, is actually its hand woven art that
consumes 6 hours to get one block chiseled. These blocks of basket weave are
hand-chiseled into horizontal ribbons of concave and convex expressions, and are
laid together to create the illusion of a weave, that starts off by being
opaque, and moves into a vertical open screen and creates a noticeable look
from any viewer. The facade continues through the parchment of the entrance
door into the vestibule keeping the flow in sync in accordance with its
ambiance. The vestibule has a water body located at the centre - 6 ft square
and made of Corten steel with a patina finish. It was done by a sculptor
Michael Tong). Even with usage of stone the acoustic of the area is balanced
well with a wooden false ceiling which enhances the warmth of this area with Boci
lights hanging over the water body which are known as The Rain Drops. On the
right is the changing area with lockers for the staff.
The vestibule leads you to a 13 feet
wide corridor in front with a reception desk in the front and centre being
aligned with 8 pieces of free standing sand stone carved blocks termed as 'Tree
of Life'.
The tree of life, symbolic in eastern cultures
of the cycle of birth death and rebirth, is a subordinate theme throughout the
restaurant. It is expressed repeatedly in art and in sculpture to take one
through the various destinations of the 16,000 square-foot space. These blocks
are rested on a watered enclosure that acts as cooling element below and
simultaneously lit by Boci’s Rain drops lights, that provides warmth to the
corridor and enhances the carving on each block at the same time. The water
body is designed Corten steel that acts as a reflecting pool crafted by the
sculptor Michael Tong. The flooring chosen for the corridor was that of hand
chiseled Cuddapa stone tiles. This Corridor is the main attraction of the
restaurant which segregates the dining areas into open and private one on its
either sides. This is mainly called - The Junoon walk, which is a 50 feet long
walk. This walk is actually the cynosure of the restaurant. The passage ends at
a huge Venetian mirror that creates an infinite appearance of the passage and
extends the Junoon walk to infinity. On either sides of the Junoon Walk are the
dining areas. The basket weave sculptures in the entrance, as well as the
sequence of eight-foot tree of life pyramid sculptures are designed by Tarik
Currimbhoy, and created by Sana Stone.
On
the entrance to the Junoon Walk at the left is the Lounge, whose interiors are
visible from the approach at the front facade of the restaurant. The lounge
area has been interestingly planned with blend of contemporary and antique
furnishing elements. With an evenly distributed seating zone on one end and the
bar on the other, the lounge area gets well defined in accordance to the mood
of the room with usage of elements like: cork flooring, cross-cut wooden walls,
the tree of life and also the mirror panels. The most striking feature in this
area is the hand crafted jhoolas (swings) in burma teak wood. The grandeur of
the space gets magnified with the typical antique pattern design of the jhoolas
that successfully draws all the attention of its guests and the uniquely placed
candles in the centre adds a tinge of equanimity in the space. Another striking
element used in the lounge is an abstract painting of ‘the tree of life’ by
Dolly Unithan. The flow of the theme swiftly moves in this area and
harmoniously blends its beauty with the steam bent furnitures used in the
space. The lounge provides a space for 50 guests and the privacy of every table
is well planned while designing.
Walking back to the 50 ft long Junoon
walk, as mentioned above are the dining area on either side. The experience of
dining has been portrayed in a very different manner in both the dining areas.
The smaller dining area on the right is the private dining section which is
popularly termed as the Jaipur Room. The room drew its name from the heritage
style of the arcaded entrance in Teak wood. The ornamentation of this wood
reminds of the rich Art inheritance from the pages of historic carvings. A
series of 5 arches welcomes its guests in a splendid Indian style that makes
one feel back at home.
Walking past this 110 year old wooden
framework one reaches to a 45 seated eloquent dining hall, with simplistic
interiors crafted in a cozy ambience for comfort and muted with serenity.
Framed in tranquility, stands the mirror, on the front wall adding to the
glitterati to this serene zone.
On the other side of the Junoon walk
is the main dining area. A brobdingnagian space defined with seating space for
100 guests, demarcates the most unique idea in its distribution of space which
is the – Open Kitchen. From the dining room, guests have a clear view of the
chef and staff in the
restaurant’s open kitchen, where they craft dishes
spanning India’s many renowned culinary regions. Junoon features all the five
elements of cooking: Handi (pot cooking), Sigri (open fire pit), Pathar
(stone), Tawa (griddle) and Tandoor (clay oven). The most interesting part of
this dining hall is its sync with the kitchen where diners can view their
orders getting cooked. Rajesh while he was planning the construction of this
restaurant was also formulating his team simultaneously. Through a cookery show
- Gordon Ramsey’s Kitchen Night mares, his younger son Akshay, spotted their
Executive Chef. Akshay was only 13yrs old at that time asked Rajesh was aware
of Vikas or not. Through a another common friend Vipul Mallick who happened to
know Vikas set a meeting between them –
Vikas Khanna, who happened to be the crowning jewel behind every culinary item
in the Restaurant.
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Walking back to the Junoon Walk one can see a staircase leading them to
the basement area. The most vibrant part of the restaurant, which inactively
activates life in all cuisines, is its spice room. The basement lobby leads one
to this spice room on one side and the washrooms for guests on the other. The
spices collected and stored over here are chosen from all over the world. An array
of fresh spices is carefully measured, roasted and ground daily and made into a
unique blend to be used in the marinades and sauces for each day before the
process begins again the next morning. Temperature-controlled and
glass-encased, the spice room ensures that Junoon’s dishes are seasoned with
the brightest and boldest flavors.
The other entrance to the basement is through its kitchen side which is
also a parallel/ service entrance. The spice room is connected by various rooms
in the basement. The other most interesting room is the Yoga room out there,
where all the chefs/ staffs practice yoga to compose themselves. The thoughtful
approaches towards its employees really creates an enigmatic ambience for
serving the food lovers from throughout the world in this vivaciously planned yet compact and cozy looking
restaurant.
The 145-seat restaurant features five techniques of Indian cooking,
gleaned from Khanna's culinary-researched jaunts. Designed with passion and
serving with love and perfect blend of Indian and Contemporary elements is
what
exactly Rajesh had on his mind and with help of Tarik Currimbhoy and Vikas
Khanna, he made this place to stand out as one of the most unique and styled
eatery of the States. With a warm touch of Indian hospitality, Junoon is a
successful evaluation as a distinct place of celebration; it is one of its kind
and a perfect place to unwind through its exotic interiors and of course
mouthwatering yet heart touching dishes.
Text –
Pamelyi Kapoor
Design
Details :
Design team –Tarik
Currimbhoy and team with Rajesh Bhardwaj
Year of Completion – 2009
Cost of the Project –Approx
5 million US Dollars
MEP Consultant – RIP
Consultants
Area of the restaurant –
16000 sq ft
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