“ Falling water is a great blessing – one of the blessings to be experienced here on earth, I think nothing yet ever equaled the coordination, sympathetic expression of the great principal of repose where forests and streams and rock and all the elements of structure are combined so quietly that really you listen not to any noise what so ever although the music of the stream is there. But you listen to Falling water the way you listen to the quiet of the country…..”
The Falling water is renowned for its simplicity. It is not a sky scarper, it is a house situated in a remote section of Pennsylvania called Bear Run. The ingenuity of Falling water is its harmony with its surrounding natural elements, most notably the water fall.
The view of the house is most famous of all. The house hovers right over the rushing mountain stream in perfect harmony. This house is a series of stone and concrete shelves jutting out over 30’ – 0” curtain of tumbling brook. The stream that scrambles sparkling down the path of rebellious boulders behind and above it passes the tinkling underneath.
This organically designed private residence was intended to be a nature retreat for its owners. The house is well known for its connection to the site. The Falling water thus was opened by broad bands of windows, people inside sheltered as in a deep cave, serene in the sense of hill behind them. Their attention directed towards the outside by low ceilings, the luminous textures of the woodlands, rhythmically enframed. The materials of the structure blended with the colorings of the rocks and trees, while occasional accents were provided by bright furnishings, like wild flowers or birds outside. The paths within the house, stairs and passages, meandered without formality or urgency, and the house hardly had a main entrance; there are many ways in and out. Sociability and privacy were both available, as were comforts of house and the adventures of the seasons.
Wright’s views of what would be the entry have been argued about; still, the door is tucked away in a corner and is rather small. Wright’s idea of the grand façade for his house is from the perspective of all the famous pictures of the house, looking up from the downstream, viewing the opposite corner from the main door.
On the hill side above the main house is a four –car carport (though Kaufmann had requested a garage) servants’ quarters, and a guest bed room. The attached outbuilding was built one year later using the same quality of materials and attention to detail as the main house. Just uphill from it is a small 6’ 0” deep swimming pool, continually fed by natural water, which then overflows to the river below. Through a visual trick comparing the swimming pool walls with the landscaped beyond, the swimming pool appears not to be level; it is, in fact, level. The carport was, at the direction of Kaufmann, Jr., eventually enclosed for use by Falling water visitors, who generally gather there at the end of guided tours. Kaufmann Jr., designed the interiors himself but to specifications found in other Falling water interiors designed by Wright.
Falling water’s structural system includes a bold reinforced concrete cantilevered balconies, however, the house had problems from the beginning. Sagging of the concrete cantilevers was noticed as soon as the formwork was removed at the construction stage. The Western Pennsylvania Conservancy conducted an intensive program to preserve and restore the Falling water. A study indicated that the original structural design and plan preparation had been rushed and the cantilevers had significantly inadequate reinforcement. As originally designed by Wright, the cantilevers would not have hold their own weight. Given the humid environment directly over running water, the house also had a mold problem.
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